Lastly, the stylish RGB lighting and the built-in pop filter are nice extra touches that help make the HyperX QuadCast S a real contender. This means that you can't customize the RGB lighting when using the QuadCast S with your Mac, so you're stuck with the rotating rainbow pattern. HyperX's software to control the microphone called Ngenuity is not available on Mac. Of course, hardcore musicians are definitely not using a USB microphone to record, but it certainly works for very basic music recording in a pinch.Īs much as I have become enamored with this microphone, the QuadCast S has one glaring issue that might be a big deal to you. You can certainly pop this microphone down in front of yourself and tune your voice in lots of different ways in your favorite audio mixing program of your choice.Įven though I'm not a talented audio engineer or musician, I was able to lay down a pretty simple acoustic guitar track and then record some vocals and come out with a mix that sounded pretty good. The microphone records 48kHz/16-bit audio and has three 14mm condensers, which provides enough data for post-production if you want to go that route. Although it's primarily billed as a gaming microphone, I recorded podcasts, took video calls, laid down some acoustic guitar and basic vocals using the HyperX QuadCast S, and all of that sounded stellar.

This microphone has handled everything I have thrown at it and has always left me impressed. Although it's a bit more expensive than our top pick, it easily records clean audio if you're on top of your gain control. HyperX has been a key player in the USB microphone space lately, and this QuadCast S mic offers all the versatility you need. While the Blue Yeti may still take the top spot on our list because of its price, the HyperX QuadCast S, which we've reviewed, is a close runner-up. With four recording modes, plug-and-play functionality, and live monitoring, the Blue Yeti offers the most versatile experience for the best price. Lastly, stereo recording mode allows the Blue Yeti to use the left and right channels to record in stereo and give your recordings a more realistic soundstage when there is more than one sound source in front of the microphone. Just put the microphone between you and the other person speaking and never touch it again. This mode is great for podcasting with multiple hosts and guests or for capturing the noise around you.īidirectional mode allows the Blue Yeti to be an interview microphone with minimal setup. The omnidirectional mode allows the Blue Yeti to pick up sounds from all around it, meaning you can put it in the middle of a table and have multiple people speaking, and it won't miss a single word. Its basic cardioid mode is fantastic for capturing a single voice or instrument in front of the mic, making it perfect for game streaming, video calls, or vocals.

External microphone not working on mac